Gresley statue – sculpting the clothing
Having spent time getting the anatomy of the figure right, it’s time to clothe Sir Nigel. It may seem an odd process, but it really works. If the anatomy isn’t right, the final clothed sculpture…
Having spent time getting the anatomy of the figure right, it’s time to clothe Sir Nigel. It may seem an odd process, but it really works. If the anatomy isn’t right, the final clothed sculpture…
In order to sculpt a convincing figure of Sir Nigel, I need a life model. Like Rodin, I use the traditional technique of sculpting the figure unclothed first, before sculpting the clothes. Barry McGerr was…
Now it’s up to me to finish off the armature. The main structure is complete. But I want to double-check all the measurements before I add anything more. I make some minor adjustments to the…
What’s a sculptor’s worst nightmare? Her beautifully-sculpted figure drooping under the weight of the clay or even crashing to the floor around her. Whilst I have built-in a decent amount of time to sculpt Sir…
It’s one thing sculpting a 36cm tall figure. It’s quite another thing to sculpt a 7ft 5in figure. So how do you scale it up? Some sculptors harness digital technology and have their maquette scaled-up…
The contract is signed. The commission is a reality. Now I have to sculpt the 7ft 5in sculpture of Sir Nigel Gresley in clay. Gulp. My permanent studio is far too small and is on…
Robert Newton Robert Newton is a keen clay sculptor himself. In his own words: ‘I found it fascinating to see the modelling process applied to me’ Material: plaster Dimensions: 59cm x 36cm x 38cm Limited…
The bronze pour has been a success and the follow-up metalwork has been done by the foundry. I enjoy the drive up to Bronze Age, to check the metalwork before the patination (or colouring) begins.…
The clay maquette of Sir Nigel Gresley and the Mallard arrived safely in the Docklands at Bronze Age Sculpture Casting Foundry. Their team made the two moulds – one for the figure and one for…
Members of the Sculpture Group of the Gresley Society Trust came to my studios in Billingshurst to sign-off on this clay before it went to the foundry. I was delighted with their delight! It is…